Show Off Once in Every World

Chapter 766: Go Back to the Past XXXVI



Wen Ying stood up after hearing the words. There were whispers in the classroom. Wen Ying’s status in the class was somewhat special. The school had just started not long ago. Although they had gone through military training, after putting on bright clothes, the other side of many people’s personalities would gradually be exposed. Therefore, Everyone is waiting to see how to get along with the most famous Wen Ying.

Is her acting skills really as good as outsiders say? In some simple training sessions before, the difference between her and them could not be clearly seen.

On the other side, Li Cancan returned to her seat and exchanged glances with one of the boys who acted with Wen Ying.

Wen Ying arranged her co-stars at one end of the classroom, while she walked far away to the other end, making people confused. The scenes in the play cannot be explained to others. They have to be seen during the performance, which is also one of the difficulties of improvisation.

The students in the classroom became a little quieter, watching her performance with a little anticipation. Even the teacher’s attention was more focused than before.

Wen Ying closed her eyes, and her expression changed when she opened them again.

The students in the classroom were stunned.

This is just like what you see on TV!

Her face was full of anxiety and haggard, and her pupils were vacantly dilated, as if she was on the verge of collapse due to a huge blow. However, her body shape showed another subconscious reaction. The muscle lines from her cheeks to her arms were tight, and stretched, her whole person looked like a fully drawn bow. As long as there was any disturbance, it would break immediately. She hasn’t given up yet.

The transition from one person to another only takes a few seconds. They didn’t expect it to be possible.

The students suddenly became excited.

The difference between a beginning student and a formal actor lies in whether the performance can accurately focus on the emotional point. Many students think they are performing very seriously, but their emotions never move people. It is precisely because their micro-expressions betray them. These details hidden in the dark tell the audience that they are still themselves, not the character he plays. . Their performances are always superficial. How can they play a role well if they don’t understand the character’s psychological line?

Wen Ying’s performance is undoubtedly mature. Just with the change of her appearance, people can see the story about her that has not yet begun to be told.

The show begins.

She is running. The classroom is not big, but they can see that she is running, stepping quickly, pausing, looking around anxiously, and suddenly, she suddenly leans back while “running”.

What’s wrong? The people watching had questions in their minds.

They saw her turning back and pulling hard, and suddenly pulling away, and she staggered two steps. Seeing this, everyone can understand that it is a wedding dress, and the complicated wedding dress is caught by something.

The details of this scene are almost the same as those shown by Li Cancan. They both use a wedding dress to reflect the identity of the bride, but Wen Ying’s is more in-depth.

Because she was stunned when she looked at the torn wedding dress. Her expression changed several times, from the joy of recalling to the sadness of realizing her current situation, and her whole body was trembling slightly.

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